Film sound essay

In "The Persisting Vision," he champions comprehensive film preservation, citing the case of Hitchcock's  Vertigo , the final entry on his list, now named the greatest film of all time by  Sight and Sound 's critics poll. "When the film came out some people liked it, some didn’t, and then it just went away." When, after decades of obscurity, Vertigo  came back into circulation,  the color was completely wrong," and "the elements — the original picture and sound negatives — needed serious attention." A restoration of the "decaying and severely damaged" film eventually happened, and "more and more people saw  Vertigo  and came to appreciate its hypnotic beauty and very strange, obsessive focus." I, personally, couldn't imagine the world of cinema without it — nor without any of the other pictures Scorsese calls his favorites.

>> Amazon UK Excerpts from the book: 

  • The State of the Art - 1928 part 1
  • The State of the Art - 1928 part 2
  • The State of the Art - 1928 part 5
The Birth of the Talkies : From Edison to Jolson

Domestic competition, however, eclipsed Phonofilm. By September 1925, De Forest and Case's working arrangement had fallen through. The following July, Case joined Fox Film , Hollywood's third largest studio , to found the Fox-Case Corporation. The system developed by Case and his assistant, Earl Sponable, given the name Movietone , thus became the first viable sound-on-film technology controlled by a Hollywood movie studio. The following year, Fox purchased the North American rights to the Tri-Ergon system, though the company found it inferior to Movietone and virtually impossible to integrate the two different systems to advantage. [26] In 1927, as well, Fox retained the services of Freeman Owens, who had particular expertise in constructing cameras for synch-sound film. [27]

Film sound essay

film sound essay


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